Reference Movies In Essay

In citing film and other media, use the citation form for the format in which you watched the work being cited. For example:

If you watched the film Casablanca on DVD and wish to cite it, use the citation format for DVD (not the film original).

If you watched Casablanca in a movie theater, use citation format for film.

If you are citing a documentary or program that you watched on DVD/videotape, but which was originally broadcast on television, use the citation format for DVD/videotape.

If you are citing a trailer for a theatrical movie that you watched on the internet, use the citation format for online resources.

Include the following elements in the following order. Include as much information as is available from the media package or other sources. If you are citing the contribution of a particular performer or the director of a work, you may choose to include the person's name first in the citation (last name, first name)

You may include other data that seem pertinent, such as writer of screenplay or writer of work upon which the film is based, depending on the focus of your research.

DVD, Video or Film Title (italics)

Series Title (no italics or quotation marks)

Director/Filmmaker OR Personal Producer OR Corporate/Institutional Producer.

Other individuals responsible for the work (e.g., writer) if relevant

Key Actors or other Key Performers.

If the work being cited is the original format (i.e. if you've viewed the film in a theater), cite the Studio Name OR Production Company followed by production date ORoriginal release date (If known)

Format (if the version you're citing is video or DVD)

Distributor (i.e. DVD or video distributor)

Distribution Date (separated from the distributor by a comma)

Examples:

Film:

Citizen Kane. Dir. Orson Welles. Perfs. Orson Welles, Joseph Cotten. RKO Radio Pictures, 1941.

Fahrenheit 9/11. Dir. Michael Moore. Lions Gate Films, 2006.

Film, citing a contributor first:

Kazan, Elia, dir. On the Waterfront. Perfs. Marlon Brando, Lee J. Cobb, Rod Steiger, Eva Marie Saint. Columbia Pictures Corporation, 1954.

Karloff, Boris, perf. Frankenstein. Dir. James Whale. Perfs. Boris Karloff, Colin Clive, Mae Clark. Universal Pictures, 1931.

Gore, Al, perf. An Inconvenient Truth. Dir. Davis Guggenheim. Lawrence Bender Productions, 2006.

Rozsa, Miklos, comp. Spellbound. Dir. Alfred Hitchcock. Perfs. Ingrid Bergman, Gregory Peck. United Artists, 1945.

DVD/Videorecording:

Breathless (À Bout de Souffle). Dir. Jean-Luc Godard. Perfs. Jean-Paul Belmondo, Jean Seberg, Liliane David. 1960. DVD. Criterion Collection, 2007.

Frankenstein. Dir. James Whale. Perfs. Boris Karloff, Colin Clive, Mae Clark. 1931. DVD. Universal Pictures, 2006.

America's Least Wanted . Prod. Rebecca Haggerty, Susan Levine, Jamie McClelland, Adele Rice and Jaime Yassin. Videocassette. Paper Tiger TV, 1995.

Story of Change. Prod. UNICEF. Filmed and edited by, Byron Blunt. Videocassette. Nairobi, Kenya: UNICEF, 1998.

DVD/Videorecording, citing a contributor first:

Schrader, Paul, writer. Taxi Driver. Dir. Martin Scorsese. Perfs. Robert De Niro, Jodie Foster. 1976. DVD. Columbia TriStar Home Video, 1999.

Brooks, Albert, perf. Taxi Driver. Dir. Martin Scorsese. Perfs. Robert De Niro, Jodie Foster. 1976. DVD. Columbia TriStar Home Video, 1999.

Wexler, Haskell, cinematographer. Who's Afraid of Virginia Woolf? . Dir. Mike Nichols. Perfs. Elizabeth Taylor, Richard Burton, George Segal, Sandy Dennis. 1966. DVD. Warner Home Video, 2006.

Faulkner, William, screenplay. To Have and Have Not. Based on the novel by Ernest Hemingway. Dir. Howard Hawks. Perfs. Humphrey Bogart, Walter Brennan, Lauren Bacall. 1945. DVD. Warner Home Video, 2003.

Hemingway, Ernest. To Have and Have Not. Screenplay by William Faulkner. Dir. Howard Hawks. Perfs. Humphrey Bogart, Walter Brennan, Lauren Bacall. 1945. DVD. Warner Home Video, 2003.

DVD/Videorecording, citing additional information about the work or the particular release.

Metropolis. Dir. Fritz Lang. Perfs. Gustav Fröhlich, Brigitte Helm, Alfred Abel. 1926. DVD. Restored authorized edition; digitally remastered. Kino International Corporation, 2002.

Man with a Movie Camera (Chelovek s kinoapparatom). Dir. Dziga Vertov. Original music composed and performed by the Alloy Orchestra. 1929. DVD. Kino International Corporation, 1997.

Mindwalk. Based on the book "The Turning Point" by Fritjof Capra. Dir. Bernt Amadeus Capra. Perfs. Liv Ullman, Sam Waterston, John Heard, Ione Skye. DVD Paramount Pictures, 2000.

DVD/Videorecording, citing supplementary material contained on disc:

"Making of the Mutuals" (supplmentary visual essay by Sam Gill). The Chaplin Mutuals. Volume 3. DVD. Image Entertainment, 1995.

"The Early Sound Era" (supplementary material on DVD release of The Jazz Singer). 2006 <cite the date the supplement was produced, if known>. DVD. Warner Home Video, 2007.

DVD/Videorecording of a work originally broadcast on television

Summer of Love. American Experience. Prod. and dir., Gail Dolgin & Vicente Franco. PBS. WGBH in association with KQED. DVD PBS Home Video, 2007.

Medicine at the Crossroads. Prod. 13/WNET and BBC TV. DVD. PBS Home Video, 1993.

"Bringing up Buster." Arrested Development (Season 1). Perfs. Alia Shawkat, David Cross, Jason Bateman, Jeffrey Tambor. DVD. Twentieth Century Fox Home Entertainment, 2006.

"Ku Klux Klan: The Invisible Empire." CBS Reports. Prod. and dir. David Lowe. Correspondent: Charles Kuralt. 1982. DVD. Films for the Humanities & Sciences, 2002.

Capote, Truman. "A Christmas Memory." Hallmark Hall of Fame. Dir. Glenn Jordan. Perf. Patty Duke, Piper Laurie, Jeffrey DeMunn. 1997. DVD. Lions Gate, 2000.

DVD/Videorecording of a series originally broadcast on television. Citing installment in series:
  • Title of the episode in quotation marks.
  • Name of the series or program in italics.
  • Director, producer, other significant individuals involved
  • Publication medium (e.g. DVD).
  • Distributor, followed by date of the DVD (NOT the original broadcast)

    "The House We Live In." Race, The Power of an Illusion. Prod., Christine Herbes-Sommers; series prod., Larry Adelman. DVD. California Newsreel, 2003.

    Scorsese, Martin, Exec. Prod. "Feel like going home." Martin Scorsese Presents The Blues. DVD. Seattle, WA: Vulcan Productions, Inc.; Berlin: Road Movies Filmproduktion Gmbh, 2003.

    "When Things Get Tough." The War. Dir. Ken Burns. Prod. Florentine Films and WETA Washington D.C. DVD. PBS Home Video; Paramount Home Entertainment, 2007.

    "Ain't Scared of your Jails, 1960-1961." Eyes on the Prize: America's Civil Rights Years, 3. Prod. WGBH Boston; Blackhawk Films, 1986. DVD. PBS Video, 2006.

    Single Performance, Music Videos, and Other Single Work as part of longer DVD, Video, or Film

    "Official War Film W.F. 13." World War II Films. Prod. US Office of War Information. 1943. DVD. Earthstation1.com, 2007.
    or, if emphasizing issuing agency:

    US Office of War Information. "Official War Film W.F. 13." World War II Films. 1943. DVD. Earthstation1.com, 2007.

    Cage, John. "Chess Serenade: For Piano." The Works for Piano. John Cage. Vol. 7. DVD. Mode Productions, 2006

    Calloway, Cab. "Hi-de-ho." Best of Jazz and Blues. 1933. DVD. Kino on Video, c2001.

    The Chemical Brothers. The Work of Director Michel Gondry. DVD. Palm Pictures, 2003.

    "Lindy Hop (1937)." Perf, Mama Lu Parks' Jazz Dancers. Dance Black America. Videocassette. Dance Horizons Video, 1990.

    or, if emphasizing the performers:

    Mama Lu Parks' Jazz Dancers. "Lindy Hop (1937)." Dance Black America. Videocassette. Dance Horizons Video, 1990.

  • Television and Radio

    Include the following elements in the following order.

    Title of episode or segment (if appropriate. In quotes)

    Title of program (italics)

    Title of series (if appropriate. No quotes or underline)

    Producer, Director, Performers, Writer (if known. Inclusion and order depends on emphasis)

    Network

    Local Affiliate and the city

    Date of Broadcast

    Examples :

    Woody Allen: A Documentary. American Masters. Dir. and prod., Robert Weide. PBS. WNET, Channel 13. 10 Feb. 2012.
    Racism 101. Prod. Thomas Lennon. PBS. KQED, San Francisco. 5 Oct. 1988.

    White House Prayer Breakfast. Al Gore (Introduction), Bill Clinton (Address), Rev. Gerald Mann (Closing prayer), Rabbi Alan Cohen (Interview)." C-SPAN, Washington, D.C. 11 Sept. 1998.

    "Torture." Narr. Scott Pelley. Sixty Minutes. CBS. WCBS, New York. 30 March 2008.

    "War Against Iraq Begins." Narr. Peter Jennings, Ted Koppel. Nightline. ABC. KGO, San Francisco, 16 Jan. 1991.

    "Car Crash on I-80." Ten O'clock News. KNBC, Los Angeles. 16 Jan. 1991.

    "The Arsenal of Democracy." The Great Depression; 7. Prod. Blackside, Inc.; Exec Prod Henry Hampton. WGBH, Boston. 1 Mar. 1993.

    Afghanistan: the Great Game. NPR, Washington, D.C. 8 Feb. 1980.

    "Mumia Abu Jamal: 15th Anniversary of His Arrest." Democracy Now. Pacifica. KPFA-FM, Berkeley, CA. 9 Dec. 1996.

    "Trash of the Titans." The Simpsons, Season 9. Dir. Jim Reardon, Mark Kirkland, et al. Voices: Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith, Hank Azaria, Harry Shearer. CBS. KPIX, San Francisco. 10 September 2006.

    "Emerging Tigers." Narr. Ress Jones. Prod. John Hawke. Asian Business Report. PBS. WEFT, New York. 15 August 1990.

    For advertisements and other broadcasts without a fixed programming schedule, you may chose to include the time of the broadcast:

    Levi Strauss Co. Levi Dockers Advertisement. Aired 10:35pm. CBS. KPIX, San Francisco. 5 August 1999.

    Broadcast Interviews

    Order and punctuation:

    Interviewee (last name first). Interviewer. Title of the program. Network. Local Affiliate, City. Date of Broadcast.

    Examples:

    Clinton, Bill. Interview with Larry King. Larry King Live. CNN. 24 June 2004.

    Cain, Bruce E. Interview. Ten O'Clock News. CBS. KPIX, San Francisco. 10 October 2007.

    Depp, Johnny. Interview with James Lipton. Inside the Actors Studio. PBS. KQED, San Francisco. 7 April 2008.

    Web Other Online Media

    Author's Last Name, First Name OR Corporate/Institutional Author Name <if known>

    Title of Document or File

    Document date OR date of last revision

    Medium (e.g. Online video clip)

    Title of larger web site in which clip is located

    Name of hosting library or agency (if appropriate).

    Access Date

    URL <web address>

    Examples:

    Lucasfilm, Ltd. "Star Wars Trailer." 05 November 1999. Online video clip. Star Wars Official Site. Accessed on 02 April 2008. <http://starwars.com/episode-i/news/trailer/>

    "Daughter Turns Dad In." CNN Video. Online video clip. CNN.com Accessed on 04 April 2008. <http://www.cnn.com/video/#/video/crime/2008/04/02/dnt.oh.drunk.driver.dad.wnwo>

    "Free Speech Movement: The Cartop Ralley, Oct. 1-2, 1964." 05 August 1999. Online audio clip. UC Berkeley Library Social Activism Sound Recording Project: The Free Speech Movement and Its Legacy. University of California at Berkeley. Library, Media Resources Center. Accessed on 02 April 2008. <http://sunsite.berkeley.edu/VideoTest/pacificabd0016.02e.xdm>

    "Gene Map of Brain Offers Hope for Alzheimer's, Autism." 29 Nov. 2006. Webcast. The News Hour with Jim Lehrer. PBS. KQED, San Francisco. Accessed on 02 December 2006

    MLA In-Text Citations: The Basics

    Summary:

    MLA (Modern Language Association) style is most commonly used to write papers and cite sources within the liberal arts and humanities. This resource, updated to reflect the MLA Handbook (8th ed.), offers examples for the general format of MLA research papers, in-text citations, endnotes/footnotes, and the Works Cited page.

    Contributors: Tony Russell, Allen Brizee, Elizabeth Angeli, Russell Keck, Joshua M. Paiz, Michelle Campbell, Rodrigo Rodríguez-Fuentes, Daniel P. Kenzie, Susan Wegener, Maryam Ghafoor, Purdue OWL Staff
    Last Edited: 2017-10-23 08:53:38

    Guidelines for referring to the works of others in your text using MLA style are covered in chapter 6 of the MLA Handbook and in chapter 7 of the MLA Style Manual. Both books provide extensive examples, so it's a good idea to consult them if you want to become even more familiar with MLA guidelines or if you have a particular reference question.

    Basic in-text citation rules

    In MLA style, referring to the works of others in your text is done by using what is known as parenthetical citation. This method involves placing relevant source information in parentheses after a quote or a paraphrase.

    General Guidelines

    • The source information required in a parenthetical citation depends (1.) upon the source medium (e.g. Print, Web, DVD) and (2.) upon the source’s entry on the Works Cited (bibliography) page.
    • Any source information that you provide in-text must correspond to the source information on the Works Cited page. More specifically, whatever signal word or phrase you provide to your readers in the text, must be the first thing that appears on the left-hand margin of the corresponding entry in the Works Cited List.

    In-text citations: Author-page style

    MLA format follows the author-page method of in-text citation. This means that the author's last name and the page number(s) from which the quotation or paraphrase is taken must appear in the text, and a complete reference should appear on your Works Cited page. The author's name may appear either in the sentence itself or in parentheses following the quotation or paraphrase, but the page number(s) should always appear in the parentheses, not in the text of your sentence. For example:

    Wordsworth stated that Romantic poetry was marked by a "spontaneous overflow of powerful feelings" (263).

    Romantic poetry is characterized by the "spontaneous overflow of powerful feelings" (Wordsworth 263).

    Wordsworth extensively explored the role of emotion in the creative process (263).

    Both citations in the examples above, (263) and (Wordsworth 263), tell readers that the information in the sentence can be located on page 263 of a work by an author named Wordsworth. If readers want more information about this source, they can turn to the Works Cited page, where, under the name of Wordsworth, they would find the following information:

    Wordsworth, William. Lyrical Ballads. Oxford UP, 1967.

    In-text citations for print sources with known author

    For Print sources like books, magazines, scholarly journal articles, and newspapers, provide a signal word or phrase (usually the author’s last name) and a page number. If you provide the signal word/phrase in the sentence, you do not need to include it in the parenthetical citation.

    Human beings have been described by Kenneth Burke as "symbol-using animals" (3).

    Human beings have been described as "symbol-using animals" (Burke 3).

    These examples must correspond to an entry that begins with Burke, which will be the first thing that appears on the left-hand margin of an entry in the Works Cited:

    Burke, Kenneth. Language as Symbolic Action: Essays on Life, Literature, and Method. Berkeley: U of California P, 1966.

    In-text citations for print sources by a corporate author

    When a source has a corporate author, it is acceptable to use the name of the corporation followed by the page number for the in-text citation. You should also use abbreviations (e.g., nat'l for national) where appropriate, so as to avoid interrupting the flow of reading with overly long parenthetical citations.

    In-text citations for print sources with no known author

    When a source has no known author, use a shortened title of the work instead of an author name. Place the title in quotation marks if it's a short work (such as an article) or italicize it if it's a longer work (e.g. plays, books, television shows, entire Web sites) and provide a page number if it is available.

    We see so many global warming hotspots in North America likely because this region has "more readily accessible climatic data and more comprehensive programs to monitor and study environmental change . . ." ("Impact of Global Warming").

    In this example, since the reader does not know the author of the article, an abbreviated title of the article appears in the parenthetical citation which corresponds to the full name of the article which appears first at the left-hand margin of its respective entry in the Works Cited. Thus, the writer includes the title in quotation marks as the signal phrase in the parenthetical citation in order to lead the reader directly to the source on the Works Cited page. The Works Cited entry appears as follows:

    "The Impact of Global Warming in North America." Global Warming: Early Signs. 1999. http://www.climatehotmap.org/. Accessed 23 Mar. 2009.

    We'll learn how to make a Works Cited page in a bit, but right now it's important to know that parenthetical citations and Works Cited pages allow readers to know which sources you consulted in writing your essay, so that they can either verify your interpretation of the sources or use them in their own scholarly work.

    Author-page citation for classic and literary works with multiple editions

    Page numbers are always required, but additional citation information can help literary scholars, who may have a different edition of a classic work like Marx and Engels's The Communist Manifesto. In such cases, give the page number of your edition (making sure the edition is listed in your Works Cited page, of course) followed by a semicolon, and then the appropriate abbreviations for volume (vol.), book (bk.), part (pt.), chapter (ch.), section (sec.), or paragraph (par.). For example:

    Marx and Engels described human history as marked by class struggles (79; ch. 1).

    Citing authors with same last names

    Sometimes more information is necessary to identify the source from which a quotation is taken. For instance, if two or more authors have the same last name, provide both authors' first initials (or even the authors' full name if different authors share initials) in your citation. For example:

    Although some medical ethicists claim that cloning will lead to designer children (R. Miller 12), others note that the advantages for medical research outweigh this consideration (A. Miller 46).

    Citing a work by multiple authors

    For a source with two authors, list the authors’ last names in the text or in the parenthetical citation:

    Best and Marcus argue that one should read a text for what it says on its surface, rather than looking for some hidden meaning (9).

    The authors claim that surface reading looks at what is “evident, perceptible, apprehensible in texts” (Best and Marcus 9).

    Corresponding works cited entry:

    Best, David, and Sharon Marcus. “Surface Reading: An Introduction.” Representations, vol. 108, no. 1, Fall 2009, pp. 1-21. JSTOR, doi:10.1525/rep.2009.108.1.1

    For a source with three or more authors, list only the first author’s last name, and replace the additional names with et al.

    According to Franck et al., “Current agricultural policies in the U.S. are contributing to the poor health of Americans” (327).

    The authors claim that one cause of obesity in the United States is government-funded farm subsidies (Franck et al. 327).

    Corresponding works cited entry:

    Franck, Caroline, et al. “Agricultural Subsidies and the American Obesity Epidemic.” American Journal of Preventative Medicine, vol. 45, no. 3, Sept. 2013, pp. 327-333.

    Citing multiple works by the same author

    If you cite more than one work by a particular author, include a shortened title for the particular work from which you are quoting to distinguish it from the others. Put short titles of books in italics and short titles of articles in quotation marks.

    Citing two articles by the same author:

    Lightenor has argued that computers are not useful tools for small children ("Too Soon" 38), though he has acknowledged elsewhere that early exposure to computer games does lead to better small motor skill development in a child's second and third year ("Hand-Eye Development" 17).

    Citing two books by the same author:

    Murray states that writing is "a process" that "varies with our thinking style" (Write to Learn 6). Additionally, Murray argues that the purpose of writing is to "carry ideas and information from the mind of one person into the mind of another" (A Writer Teaches Writing 3).

    Additionally, if the author's name is not mentioned in the sentence, you would format your citation with the author's name followed by a comma, followed by a shortened title of the work, followed, when appropriate, by page numbers:

    Visual studies, because it is such a new discipline, may be "too easy" (Elkins, "Visual Studies" 63).

    Citing multivolume works

    If you cite from different volumes of a multivolume work, always include the volume number followed by a colon. Put a space after the colon, then provide the page number(s). (If you only cite from one volume, provide only the page number in parentheses.)

    . . . as Quintilian wrote in Institutio Oratoria (1: 14-17).

    Citing the Bible

    In your first parenthetical citation, you want to make clear which Bible you're using (and underline or italicize the title), as each version varies in its translation, followed by book (do not italicize or underline), chapter and verse. For example:

    Ezekiel saw "what seemed to be four living creatures," each with faces of a man, a lion, an ox, and an eagle (New Jerusalem Bible, Ezek. 1.5-10).

    If future references employ the same edition of the Bible you’re using, list only the book, chapter, and verse in the parenthetical citation.

    Citing indirect sources

    Sometimes you may have to use an indirect source. An indirect source is a source cited in another source. For such indirect quotations, use "qtd. in" to indicate the source you actually consulted. For example:

    Ravitch argues that high schools are pressured to act as "social service centers, and they don't do that well" (qtd. in Weisman 259).

    Note that, in most cases, a responsible researcher will attempt to find the original source, rather than citing an indirect source.

    Citing non-print or sources from the Internet

    With more and more scholarly work being posted on the Internet, you may have to cite research you have completed in virtual environments. While many sources on the Internet should not be used for scholarly work (reference the OWL's Evaluating Sources of Information resource), some Web sources are perfectly acceptable for research. When creating in-text citations for electronic, film, or Internet sources, remember that your citation must reference the source in your Works Cited.

    Sometimes writers are confused with how to craft parenthetical citations for electronic sources because of the absence of page numbers, but often, these sorts of entries do not require any sort of parenthetical citation at all. For electronic and Internet sources, follow the following guidelines:

    • Include in the text the first item that appears in the Work Cited entry that corresponds to the citation (e.g. author name, article name, website name, film name).
    • You do not need to give paragraph numbers or page numbers based on your Web browser’s print preview function.
    • Unless you must list the Web site name in the signal phrase in order to get the reader to the appropriate entry, do not include URLs in-text. Only provide partial URLs such as when the name of the site includes, for example, a domain name, like CNN.com or Forbes.com as opposed to writing out http://www.cnn.com or http://www.forbes.com.

    Miscellaneous non-print sources

    Werner Herzog's Fitzcarraldo stars Herzog's long-time film partner, Klaus Kinski. During the shooting of Fitzcarraldo, Herzog and Kinski were often at odds, but their explosive relationship fostered a memorable and influential film.

    During the presentation, Jane Yates stated that invention and pre-writing are areas of rhetoric that need more attention.

    In the two examples above “Herzog” from the first entry and “Yates” from the second lead the reader to the first item each citation’s respective entry on the Works Cited page:

    Herzog, Werner, dir. Fitzcarraldo. Perf. Klaus Kinski. Filmverlag der Autoren, 1982.

    Yates, Jane. "Invention in Rhetoric and Composition." Gaps Addressed: Future Work in Rhetoric and Composition, CCCC, Palmer House Hilton, 2002.

    Electronic sources

    One online film critic stated that Fitzcarraldo "has become notorious for its near-failure and many obstacles" (Taylor, “Fitzcarraldo”).

    The Purdue OWL is accessed by millions of users every year. Its "MLA Formatting and Style Guide" is one of the most popular resources (Russell et al.).

    In the first example, the writer has chosen not to include the author name in-text; however, two entries from the same author appear in the Works Cited. Thus, the writer includes both the author’s last name and the article title in the parenthetical citation in order to lead the reader to the appropriate entry on the Works Cited page (see below). In the second example, “Russell et al.” in the parenthetical citation gives the reader an author name followed by the abbreviation “et al.,” meaning, “and others,” for the article “MLA Formatting and Style Guide.” Both corresponding Works Cited entries are as follows:

    Taylor, Rumsey. "Fitzcarraldo." Slant, 13 Jun. 2003, www.slantmagazine.com/film/review/fitzcarraldo/.

    Russell, Tony, et al. "MLA Formatting and Style Guide." The Purdue OWL, 2 Aug. 2016, owl.english.purdue.edu/owl/resource/747/01/.

    Multiple citations

    To cite multiple sources in the same parenthetical reference, separate the citations by a semi-colon:

    . . . as has been discussed elsewhere (Burke 3; Dewey 21).

    Time-based media sources

    When creating in-text citations for media that has a runtime, such as a movie or podcast, include the range of hours, minutes and seconds you plan to reference, like so (00:02:15-00:02:35).

    When a citation is not needed

    Common sense and ethics should determine your need for documenting sources. You do not need to give sources for familiar proverbs, well-known quotations or common knowledge. Remember, this is a rhetorical choice, based on audience. If you're writing for an expert audience of a scholarly journal, for example, they'll have different expectations of what constitutes common knowledge.

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